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Sam Brown Hill, Part 1

This lesson is part of the course Octave Mandolin with Joe K. Walsh.
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Learn to transfer what you know on the mandolin to its bigger cousin and how to exploit the octave mandolin’s potential for more complex, guitar-oriented accompaniment styles. For intermediate mandolin, fiddle, or guitar players with a basic knowledge of their instrument.
 
 
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Inverness
 

“Inverness” comes from fiddler/mandolinist John Mailander, who recorded it on his album Walking Distance. It’s a beautiful, contemplative melody that alternates measures of 6/4 and 4/4. Joe walks you through the second part of “Inverness” in this video.

 

 
 
 
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Sam Brown Hill  
 
Sam Brown Hill  
 
Sam Brown Hill, Part 1
Sam Brown Hill, Part 1
 

“Sam Brown Hill” comes from the great guitarist Duke Levine, who recorded it on the octave mandolin on his album The Fade Out. It’s a simple melody with three parts, in the key of E, played out of D position with a capo at the second fret, but it’s a good example of how octave mandolinists flesh out melodies with chords and double stops. Joe walks you through the A part of “Sam Brown Hill” in this video, showing you some typical octave mandolin voicings as he goes. He also shows you the slurred hammer-on/double pull-off/hammer-on ornament that Duke plays and gives you advice on sounding all four notes with one pick stroke.


  “Sam Brown Hill” Notation/Tab (Available to subscribers)
 
 
 
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Peghead Nation mandolin instructor plays his original tune “Pogo Big” with an all-star band at the 2016 IBMA World of Bluegrass festival.
 
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