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Flatpicking Reels: “The Silver Spear” 

This lesson is part of the course Celtic Guitar with Tony McManus.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 
About This Course
 
Learn to play reels, jigs, airs, and other traditional forms, both fingerstyle and with a flatpick. Celtic guitar master Tony McManus walks you through melodies and shows you how to bring tunes to life with the ornamentation that defines Irish and Scottish traditional music.
 
 
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DADGAD Tuning
 
DADGAD tuning is associated with Celtic guitar more than any other tuning. In this lesson, Tony talks about how the tuning originated, how to get into DADGAD, and what you can do with it. Tony uses DADGAD to play jigs, reels, airs, etc., and he demonstrates how the whole step between the second string A and third string G makes it easy to play melodies across the strings, for a harp-like sound. He shows you a D major scale played in such a way that no string is played twice in a row: every note of the scale rings into the next note. He even shows you how you can play a Bb major scale in the same way.
 
 
 
The Celtic Guitar Subscription Includes:
  • 17 extensive video lessons with instruction in Celtic style and ornamentation
  • In-depth instruction in flatpicking, fingerstyle, and Celtic rhythm guitar
  • 14 complete tunes to play
  • Complete transcriptions in notation and tablature for all lessons
  • High-quality video with multiple camera angles so you can see closeups of both hands in action
 
 
$20/Month For One Course
 
Additional courses only $10/month each!   •   Save 20% with an annual subscription
 
 
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Flatpicking Reels: “The Silver Spear”  
 
Flatpicking Reels: “The Silver Spear”  
 
Flatpicking Reels: “The Silver Spear” 
Flatpicking Reels: “The Silver Spear” 
 
The Irish reel “The Silver Spear” is a two-part tune in the key of D, played by Tony in dropped-D tuning. (To match Tony’s pitch on this video, tune your guitar a quarter tone flat.) He plays it through at a normal tempo and then takes it apart slowly phrase by phrase, first without any ornamentation. Then he explains some of the ornamentation he uses, including many picked triplets. The second part of “The Silver Spear” starts up the neck at the fifth through seventh frets, and Tony explains how he fingers it and uses the open E string to get back down to first position. He also explains some different ways he would accompany each part of the “The Silver Spear” and ends by playing it through a few times at a medium tempo so you can play along with him.

  "The Silver Spear" (Available to subscribers)
 
 
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
 
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