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Harmonic Minor and Diminisheds, Week One


This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 
This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
The Weekly Guitar Workout Subscription Includes:
  • 100 workouts that will help you learn the guitar fingerboard
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  • Extensive chord and scale theory lessons that help you apply what you learn to your music
  • High-quality video lessons with multiple camera angles so you can see closeups of both hands in action.
 
 
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HARMONIC MINOR SCALES AND DIMINISHED CHORDS   
 
HARMONIC MINOR SCALES AND DIMINISHED CHORDS   
 
Harmonic Minor and Diminisheds, Week One
Harmonic Minor and Diminisheds, Week One
 
This series of workouts focuses on the harmonic minor scale, and how it can be combined with diminished seven arpeggios to play over V7 chords in minor keys, in Gypsy jazz and other styles. Scott starts by explaining the harmonic minor scale (essentially a natural minor scale with a raised seventh) and how diminished seven chords fit this scale well. If you play the second, fourth, sixth, and seventh notes of the harmonic minor scale you get a diminished seven arpeggio, and this can be used as a 7b9 arpeggio (essentially the flat nine, third, fifth, and seventh of a 7b9 chord). To get you oriented with the harmonic minor scale and diminished chords, Example 1 runs through an A harmonic minor scale up in the blues box around the fifth fret, while Examples 2 and 3 are a couple of convenient diminished arpeggio patterns on the top four strings.

  Harmonic Minor Scales and Diminished Chords: Week One (Available to subscribers)
 
 
 

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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
Peghead Nation logo
 
© Copyright 2024 PegheadNation.com