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Circle of Fifths, Week Three


This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
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About This Course

 
This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
The Weekly Guitar Workout Subscription Includes:
  • 100 workouts that will help you learn the guitar fingerboard
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  • Extensive chord and scale theory lessons that help you apply what you learn to your music
  • High-quality video lessons with multiple camera angles so you can see closeups of both hands in action.
 
 
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CIRCLE OF FIFTHS PATTERNS   
 
CIRCLE OF FIFTHS PATTERNS   
 
Circle of Fifths, Week Three
Circle of Fifths, Week Three
 
If you play through the chords of the E7–A7–D7–G7 you’ll notice a chromatic descending melody line with the chords as they change: G#–G–F#–F. We can use this motif to create some melody-based lines through the chords, creating a riff or repeated line and modifying the notes to accent that chromatic descending line. The three workouts in this week are good examples of this: finding a melodic idea and modifying one or two notes of that idea to fit the chords.

  Circle of Fifths Patterns: Week Three (Available to subscribers)
 
 
 

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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
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    ● New Products
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© Copyright 2024 PegheadNation.com