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Improvising on the Circle of Fifths: “Sweet Georgia Brown”

This lesson is part of the course Theory for Mandolin and Fiddle with Chad Manning.
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Learn the basics of music theory as it relates to four-string instruments tuned in fifths. Chad’s practical approach will deepen your knowledge of chords, scales, and arpeggios, and help you integrate them into your playing.
 
 
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Major Chord Arpeggios
 
Learn how major chord arpeggios are constructed and how to find them on the mandolin/fiddle fingerboard. Chad explains that major chords are constructed of roots, thirds, and fifths: the first, third, and fifth notes in a major scale. Then he shows you different finger patterns for major arpeggios in bluegrass keys, giving you handy ways to visualize each pattern and advice about practicing them in different ways.
 
 
 
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Improvising on the Circle of Fifths: “Sweet Georgia Brown”  
 
Improvising on the Circle of Fifths: “Sweet Georgia Brown”  
 
Improvising on the Circle of Fifths: “Sweet Georgia Brown”
Improvising on the Circle of Fifths: “Sweet Georgia Brown”
 

The trad jazz standard “Sweet Georgia Brown” is a great tune for practicing improvising on circle-of-fifths progressions. Traditionally played in the key of F, the chord progression for the first half of “Sweet Georgia Brown” consists of four bars each of D7–G7–C7–F, giving you ample time to practice your dominant scales on each chord. Chad begins by showing you the melody to “Sweet Georgia Brown,” and then gives you an exercise outlining dominant-nine arpeggios for D7, G7, and C7. He finishes by showing you how he would improvise on the progressions using only the notes in the arpeggios.


  "Sweet Georgia Brown" and Examples (Available to subscribers)
 
 
 
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Learn to improvise on fiddle tunes, create new melodies over chord changes, practice the arpeggios and scales you need to play jazz tunes, and more with Joe K. Walsh in this eight-week live workshop.
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Peghead Nation mandolin instructor plays a Hank Williams classic with bluegrass fiddler and multi-instrumentalist John Mailander on octave mandolin.
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
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