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Improvising on the Circle of Fifths: “Sweet Georgia Brown”


This lesson is part of the course Theory for Mandolin and Fiddle with Chad Manning.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 
Learn the basics of music theory as it relates to four-string instruments tuned in fifths. Chad’s practical approach will deepen your knowledge of chords, scales, and arpeggios, and help you integrate them into your playing.
 
 
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Major Chord Arpeggios
 
Learn how major chord arpeggios are constructed and how to find them on the mandolin/fiddle fingerboard. Chad explains that major chords are constructed of roots, thirds, and fifths: the first, third, and fifth notes in a major scale. Then he shows you different finger patterns for major arpeggios in bluegrass keys, giving you handy ways to visualize each pattern and advice about practicing them in different ways.
 
 
 
The Theory for Mandolin and Fiddle Subscription Includes:
  • In-depth instruction on chord and scale theory for instruments tuned in fifths
  • More than 40 practical, hands-on theory lessons designed specifically for fiddlers and mandolinists
  • Notation and mandolin tablature for every lesson
  • Lessons on improvising and soloing using different tonalities and arpeggios
  • High-quality video with multiple camera angles so you can see closeups of both hands in action.
  • Play-Along Tracks so you can practice what you’ve learned
 
 
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Improvising on the Circle of Fifths: “Sweet Georgia Brown”  
 
Improvising on the Circle of Fifths: “Sweet Georgia Brown”  
 
Improvising on the Circle of Fifths: “Sweet Georgia Brown”
Improvising on the Circle of Fifths: “Sweet Georgia Brown”
 

The trad jazz standard “Sweet Georgia Brown” is a great tune for practicing improvising on circle-of-fifths progressions. Traditionally played in the key of F, the chord progression for the first half of “Sweet Georgia Brown” consists of four bars each of D7–G7–C7–F, giving you ample time to practice your dominant scales on each chord. Chad begins by showing you the melody to “Sweet Georgia Brown,” and then gives you an exercise outlining dominant-nine arpeggios for D7, G7, and C7. He finishes by showing you how he would improvise on the progressions using only the notes in the arpeggios.


  "Sweet Georgia Brown" and Examples (Available to subscribers)
 
 
 

Mandolin Articles

 
article: Kym Warner | “After The Victory” | Collings MT2 V
 

Multi-instrumentalist Kym Warner of The Greencards plays his original composition “After The Victory” on his Collings MT2 V mandolin.

Mandolin Videos

 
video: California Bluegrass Reunion: “Suzanne’s Journey”
 

All-star band of Peghead Nation instructors Bill Evans, Chad Manning, Sharon Gilchrist, and John Reischman, along with Darol Anger and Jim Nunally, play one of John’s new original tunes.
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
Peghead Nation logo
 
© Copyright 2024 PegheadNation.com