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SESSION 8: Bill Jennings and “Big Boy”

This lesson is part of the course Swing Guitar Soloing with Matt Munisteri.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 
About This Course
 
Study classic swing solos from Charlie Christian, Louis Armstrong, Django Reinhardt, and Lester Young, and learn key guitar techniques that will help you create a voice of your own.
 
 
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SESSION 6: George Barnes, “I Can’t Give You Anything But Love,” and ii–V licks.
 

In Part 2, Matt uses the three- and four-note arpeggios he’s given you in previous weeks to explore the mysteries of the ii–V progression and construct licks that are built to provide resolution.

 
 
 
The Swing Guitar Soloing Subscription Includes:
  • Eight one-hour sessions on soloing in a swing style
  • Solos and ideas for playing eight songs or tunes
  • Analysis of classic swing solos from jazz legends like Louis Armstrong, Lester Young, Charlie Christian, and Django Reinhardt
  • Advice on adapting swing vocabulary to the guitar and beginning to create a voice of your own
  • Instruction on key techniques like downstroke picking patterns and position shifts
  • High-quality video recordings of each session so you can review what you've learned and revisit them
  • Transcriptions of classic solos in notation and tablature for each session
 
 
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SESSION 8: May 22, Bill Jennings and “Big Boy”  
 
SESSION 8: May 22, Bill Jennings and “Big Boy”  
 
SESSION 8: Bill Jennings and “Big Boy”
SESSION 8: Bill Jennings and “Big Boy”
 

For our final class, we’re throwing a party! We’re taking a refreshing plunge into a cult classic, “Big Boy”, recorded by guitarist Bill Jennings. Though not a “swing tune” per se, it is nonetheless a perfect demonstration of a musician applying all the essential ingredients of a perfect swing solo—great catchy phrases, blues, harmonic adventuresomeness, and a super swinging feel—while also capturing all the wild textures and emotion of a horn, on the guitar. This memorable solo contains an almost through-composed logic and grace, and with its melding of great guitar licks with bebop and blues lines it truly has something for every type of player, of every level.


  “Big Boy” Notation/Tab (Available to subscribers)
 
 
 
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    ● Instructors
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    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
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