Song Accompaniment in C: “Cold, Cold Heart,” Part 2: Double Stops

This lesson is part of the course Octave Mandolin with Joe K. Walsh.

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Learn to transfer what you know on the mandolin to its bigger cousin and how to exploit the octave mandolin’s potential for more complex, guitar-oriented accompaniment styles. For intermediate mandolin, fiddle, or guitar players with a basic knowledge of their instrument.

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Inverness

“Inverness” comes from fiddler/mandolinist John Mailander, who recorded it on his album Walking Distance. It’s a beautiful, contemplative melody that alternates measures of 6/4 and 4/4. Joe walks you through the second part of “Inverness” in this video.

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Octave mandolin versions of bluegrass, trad folk, and jazz tunes
Instruction on guitar-based accompaniment styles, including the use of the capo
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Song Accompaniment in C: “Cold, Cold Heart”

Song Accompaniment in C: “Cold, Cold Heart,” Part 1: Melody

Song Accompaniment in C: “Cold, Cold Heart,” Part 2: Double Stops

Song Accompaniment in C: “Cold, Cold Heart,” Part 3: Playing Backup

Song Accompaniment in C: “Cold, Cold Heart,” Part 4: Play-Along Track

Song Accompaniment in C: “Cold, Cold Heart,” Part 2: Double Stops

Playing double stops is a great way to backup a singer on the octave mandolin. In this video, Joe shows you sixth and fifth double stops for the I, IV, and V chords in the key of C (C, F, and G) as well as the C major scale harmonized in sixths.

Previous Lesson

← Song Accompaniment in C: “Cold, Cold Heart,” Part 1: Melody

Next Lesson

Song Accompaniment in C: “Cold, Cold Heart,” Part 3: Playing Backup →

Previous Lesson

← Song Accompaniment in C: “Cold, Cold Heart,” Part 1: Melody

Next Lesson

Song Accompaniment in C: “Cold, Cold Heart,” Part 3: Playing Backup →

Previous Lesson

← Song Accompaniment in C: “Cold, Cold Heart,” Part 1: Melody

Next Lesson

Song Accompaniment in C: “Cold, Cold Heart,” Part 3: Playing Backup →