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This lesson is part of the course Monroe-Style Mandolin with Mike Compton.
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About This Course
 
Learn traditional bluegrass-style mandolin as exemplified by the father of bluegrass, Bill Monroe, with original transcribed solos and tips on reproducing Monroe’s sound, rhythm, and feel.
 
 
Try a Sample Lesson
TENNESSEE BLUES
 
Learn the “fancy high part” (all the way up the 15th fret) of “Tennessee Blues” in this video. Mike takes it apart phrase by phrase, showing you the best way to finger the high notes. You’ll also learn the shorter A section, which features sliding double stops up the neck, and some variations on the regular A section. (For full transcription, see Part 1.)
 
 
 
The Monroe-Style Mandolin Subscription Includes:
  • More than 90 Monroe-style bluegrass mandolin video lessons
  • 90+ great Bill Monroe bluegrass solos to play
  • New lessons added every month
  • Mike Compton’s exact Bill Monroe transcriptions in notation and tab
  • Advice on getting deep inside Monroe’s style and technique
  • High-quality video with multiple camera angles so you can see close-ups of both hands in action
  • Play-Along videos so you can practice what you’ve learned
 
 
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Little Maggie  
 
Little Maggie  
 
Little Maggie
Little Maggie
 

Bill Monroe recorded “Little Maggie” on November 9, 1961, with Curtis McPeake (banjo), Jimmy Maynard (guitar), Bessie Lee Mauldin (bass), and Vassar Clements and Buddy Spicher on fiddles. The solo is played in fifth position with a lot of closed-chord arpeggios. Monroe uses a lot of his favorite sixteenth–eighth–sixteenth rhythms throughout and there are slurred triplets in measures 3 and 7. It’s in the key of B, but Bill uses a lot of open strings without regard for the key, with some open D and G strings.


  "Little Maggie" Notation/Tab (Available to subscribers)
 
 
 
Mandolin Articles
 
 

Learn to pick up tunes on the fly and increase your ability to interact with your fellow musicians with fun ear-training exercises and practice, applicable to all instruments.
Mandolin Videos
 
 

Alisa Rose and Tristan Scroggins explore the possibilities of a bluegrass and Irish music favorite.
 
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