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This lesson is part of the course Monroe-Style Mandolin with Mike Compton.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 
Learn traditional bluegrass-style mandolin as exemplified by the father of bluegrass, Bill Monroe, with original transcribed solos and tips on reproducing Monroe’s sound, rhythm, and feel.
 
 
Try a Sample Lesson
TENNESSEE BLUES
 
Learn the “fancy high part” (all the way up the 15th fret) of “Tennessee Blues” in this video. Mike takes it apart phrase by phrase, showing you the best way to finger the high notes. You’ll also learn the shorter A section, which features sliding double stops up the neck, and some variations on the regular A section. (For full transcription, see Part 1.)
 
 
 
The Monroe-Style Mandolin Subscription Includes:
  • More than 120 Monroe-style bluegrass mandolin video lessons
  • Bill Monroe solos to play on more than 115 songs and instrumentals
  • New lessons added every month
  • Mike Compton’s exact Bill Monroe transcriptions in notation and tab
  • Advice on getting deep inside Monroe’s style and technique
  • High-quality video with multiple camera angles so you can see close-ups of both hands in action
  • Play-Along videos so you can practice what you’ve learned
 
 
$25/Month For One Course
 
Additional courses only $15/month each!   •   Save 20% with an annual subscription
 
 
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Use promo code MikeCLand at checkout
and get your first month free or $20 off an annual subscription.
 
 
Cindy  
 
Cindy  
 
Cindy
Cindy
 

“Cindy” is one of the most common fiddle tunes, and is still frequently played for square dances and old-time sessions. In those contexts, the tune itself tends to be the focus, with occasional “floating” verses and a chorus tossed in randomly. Bill Monroe recorded it as a full-blown song, with verses and a chorus alternating with instrumental breaks. That version was recorded in December 1962, but it wasn’t released until 1965 as the flip-side of “Jimmy Brown the Newsboy.” Monroe put his indelible stamp on the melody with some blue notes, slides, open drone strings, and an impressionistic B part. He plays the A part based on an A chop chord at the fifth fret. The galloping B section starts on a IV chord (D) and is also played out of an up-the-neck chop-chord position, but with an open A string ringing above the D and F# on the low strings. Mike walks you through Monroe’s solo phrase by phrase.


  “Cindy” Notation/Tab (Available to subscribers)
 
 
 
 
 
 
 
 
 

Mandolin Articles

 
article: Shubb Capos | Roger Tallroth | “The Pearl Polska”
 

Väsen guitarist Roger Tallroth plays a solo version of a haunting polska on an octave mandolin.

Mandolin Videos

 
video: John Reischman, Joe K. Walsh, and Eli West: “The Road to Malvern”
 

A two-mandolin take on an old-time tune, played in the Peghead Parlor at Wintergrass.
 
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    ● Courses
    ● Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
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    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
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© Copyright 2024 PegheadNation.com