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The Evolution of Irish Backup Guitar

This lesson is part of the course Irish Backup Guitar with Flynn Cohen.
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Learn to accompany jigs and reels and other traditional Irish dance tunes in the style pioneered by Irish guitar greats Paul Brady, Mícheál Ó Dhomhnaill, and Dáithí Sproule and used at Irish seisiúns. With chord voicings, rhythm patterns, and practice tracks.

 
 
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THE JIG RHYTHM
 
Jigs are the other most commonly played dance form in Irish traditional music. The 6/8 jig rhythm is unique and has a specific strumming pattern and a particular feel. Beginning jig players often use an alternating picking pattern, but to get the right feel, it’s usually better to use a down-up-down, down-up-down pattern. Flynn demonstrates the pattern and gives you a couple of exercises to help you get used to the pattern.
 
 
 
The Irish Backup Guitar Subscription Includes:
  • A step-by-step approach to mastering Irish backup guitar technique
  • 36 extensive video lessons using dropped-D tuning and DADGAD
  • Lessons on accompanying 29 traditional Irish tunes, including reels, jigs, hornpipes, O'Carolan tunes, and more
  • Tab/notation and/or chord charts for all lessons
  • High-quality video with multiple camera angles so you can see closeups of both hands in action
  • Play-Along Tracks so you can practice what you’ve learned
 
 
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THE EVOLUTION OF IRISH BACKUP GUITAR  
 
THE EVOLUTION OF IRISH BACKUP GUITAR  
 
The Evolution of Irish Backup Guitar
The Evolution of Irish Backup Guitar
 
Flynn talks about the evolution of guitar in traditional music and demonstrates the styles of some of its pioneering practitioners. The guitar was first used by guitarists Paul Brady, Mícheál Ó Dhomhnaill, and Dáithí Sproule, in Irishfolk bands in the late 1960s and ’70s. Paul Brady’s style, as heard on recordings with Irish instrumental stars like Tommy Peoples, Matt Molloy, and others in the 1970s, as well as his own solo recordings, was very influential. He usually played in dropped-D tuning and used a muted right-hand strum with small chord voicings up the neck and often imitated the sound of the regulators on the Uilleann pipes. Mícheál Ó Dhomhnaill and Dáithí Sproule both played in DADGAD tuning, and that tuning became very popular among Irish backup guitarists. Mícheál is known for his playing with the Bothy Band and others, including some influential recordings with fiddler Kevin Burke. While they both play in DADGAD, Dáithí’s and Mícheál’s styles are very different, but they both influenced the way guitar is played in Irish music seisiúns today.

 
 
 
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    ● Courses
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    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
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    ● Inside Look
    ● Performances
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