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Pick Technique, Part 3: Alternating Picking

This lesson is part of the course Intermediate Flatpicking Guitar with Scott Nygaard.
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About This Course
 
Learn to play fiddle tunes and other bluegrass and roots melodies, with an emphasis on alternate picking, simple scales, and developing good picking- and fretting-hand technique. Designed for guitarists just starting to play melodies as well as intermediate players who want to work on their flatpicking technique.
 
 
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Sally Gooden
 
The B part of “Sally Gooden” starts with a simple scale fragment, starting on the open G, that may be familiar from the Alternating Picking video. Scott walks you through the melody of the B part phrase by phrase, and gives you advice on keeping your fretting-hand fingers in position above the notes, as well as “planting” them: keeping them down on the fret until after you play the next note in the phrase.These are very important things to work on, as they give your playing a lot of fluidity and make your fingering more efficient.
 
 
 
The Intermediate Flatpicking Guitar Subscription Includes:
  • A step-by-step approach to mastering flatpicking technique
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  • 34 complete tunes and songs to play, with variations
  • Detailed tab/notation for all lessons
  • In-depth lessons on flatpicking and fretting-hand technique
  • High-quality video with multiple camera angles so you can see closeups of both hands in action
  • Play-Along Tracks so you can practice what you’ve learned
 
 
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Alternating Picking   
 
Alternating Picking   
 
Pick Technique, Part 3: Alternating Picking
Pick Technique, Part 3: Alternating Picking
 
Alternating picking, also called alternate picking or down-up picking, is the basis of good flatpicking technique. The basic idea is that you consistently alternate pick strokes based on where you are in the measure. Downstrokes are played on the 1, 2, 3, and 4 beats of a measure of 4/4 (or 1, 2, and 3 beats of a measure of 3/4), and upstrokes are played in between those beats—on the ands of the beats. You can model this by simply tapping your foot 1, 2, 3, 4. Play downstrokes when your foot goes down and upstrokes when your foot goes up. That’s fairly straightforward and creates a nice consistent rhythm that’s essential in acoustic music. But it can get a little tricky when you start playing melodies that move from string to string. In this lesson you’ll learn strict alternating picking and look at some ways to deal with string crossings.

  Alternating Picking Exercises (Available to subscribers)
 
 
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
 
© Copyright 2020 PegheadNation.com