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This lesson is part of the course Chord Melody Mandolin with Aaron Weinstein.
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About This Course
 
Learn how to combine chords and melody to play jazz standards in the style pioneered by jazz mandolinist Jethro Burns and guitarists like Joe Pass and Bucky Pizzarelli.
 
 
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Chord Melody Basics, Part 2: Picking-Hand Technique
 
Your fretting hand determines the notes you’re playing but your picking hand determines how those notes (and chords) are articulated. Aaron shows you how to create different sounds with the two progressions you learned in Part 1 by separating the chord and melody notes in different rhythmic ways, for example, playing the melody note before the full chord, or the bass note before the full chord. He also demonstrates how you can combine these approaches to give your chord melody performance some rhythmic variety.
 
 
 
The Chord Melody Mandolin Subscription Includes:
  • A step-by-step approach to mastering chord melody mandolin
  • New lessons and tunes added every month
  • Detailed tab/notation and chord charts for more than 45 jazz and swing favorites
  • High-quality video with multiple camera angles so you can see closeups of both hands in action
  • Play-Along Tracks so you can practice what you’ve learned
 
 
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All of Me  
 
All of Me  
 
All of Me, Part 1
All of Me, Part 1
 
“All of Me” is a very popular jazz standard, written in the 1930s and recorded countless times, most notably perhaps by Billie Holiday with Lester Young in 1941. It’s in the key of C and has an AB form, and the melody often is the top note of chord voicings you’ve already learned. Aaron walks you through his arrangement phrase by phrase. 

  "All of Me" Lead Sheet (Available to subscribers)
 
  "All or Me" Chord Melody Arrangement (Available to subscribers)
 
 
 
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Peghead Nation instructors play a jazz-infused duo version of a classic Bill Monroe waltz.
 
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    ● Courses
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    ● For Beginners
 
 
    ● Vintage Vault
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    ● Repertoire
 
 
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