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Love, Please Come Home, Part 1: Arpeggios, Double Stops, and the Pentatonic Scale in B

This lesson is part of the course Bluegrass Mandolin Fingerboard Method with Sharon Gilchrist.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 
About This Course
 
Learn to play solos to any bluegrass song in any key with Sharon's intermediate-level method for learning the fingerboard, based on arpeggios, chop-chord shapes, and double stops.
 
 
The Bluegrass Mandolin Fingerboard Method Subscription Includes:
  • An easy to learn method for learning the fingerboard so you can play in any key
  • Melody-based solos for more than 20 popular bluegrass songs
  • Extensive right- and left-hand technique lessons
  • Notation and tab provided for all lessons
  • High-quality video with multiple camera angles so you can see close-ups of both hands in action
  • Play-Along videos so you can practice what you’ve learned
  • Downloadable audio MP3s of each tune
 
 
$20/Month For One Course
 
Additional courses only $10/month each!   •   Save 20% with an annual subscription
 
 
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Love, Please Come Home  
 
Love, Please Come Home  
 
Love, Please Come Home, Part 1: Arpeggios, Double Stops, and the Pentatonic Scale in B
Love, Please Come Home, Part 1: Arpeggios, Double Stops, and the Pentatonic Scale in B
 

In this lesson, you’ll learn a fiddle solo played by Tater Tate on Bill Monroe’s 1989 recording of “Love, Please Come Home” from Monroe’s Live at the Opry album. The song is played in the key of B and uses the flat-seven chord: an A chord in the key of B. The solo uses the major-pentatonic scale, which is easily played out of closed position. In this video, Sharon reviews the L-shapes, arpeggios, and double stops in the key of B (B, E, and F#) and then adds the A chord. She also shows you the major pentatonic scale in the key of G.


 
 
 
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    ● For Beginners
 
 
    ● Vintage Vault
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    ● Advice
    ● Repertoire
 
 
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