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Little Maggie, Part 1: L-Shape, Arpeggio, and Double Stop Review

This lesson is part of the course Bluegrass Mandolin Fingerboard Method with Sharon Gilchrist.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 
About This Course
 
Learn to play solos to any bluegrass song in any key with Sharon's intermediate-level method for learning the fingerboard, based on arpeggios, chop-chord shapes, and double stops.
 
 
The Bluegrass Mandolin Fingerboard Method Subscription Includes:
  • An easy to learn method for learning the fingerboard so you can play in any key
  • Melody-based solos for more than 20 popular bluegrass songs
  • Extensive right- and left-hand technique lessons
  • Notation and tab provided for all lessons
  • High-quality video with multiple camera angles so you can see close-ups of both hands in action
  • Play-Along videos so you can practice what you’ve learned
  • Downloadable audio MP3s of each tune
 
 
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Little Maggie  
 
Little Maggie  
 
Little Maggie, Part 1: L-Shape, Arpeggio, and Double Stop Review
Little Maggie, Part 1: L-Shape, Arpeggio, and Double Stop Review
 

 “Little Maggie” is a traditional bluegrass song that is associated with both Bill Monroe and Ralph Stanley.  “Little Maggie” uses the “flat seven chord”: an F chord in the key of G, which is where you’ll learn “Little Maggie” in this lesson.  Sharon starts by reviewing the L-shapes, arpeggios, and double stops in the key of G (G, C, and D) and then adds the F chord.


 
 
 
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An instrumental duet played on a pair of Northfield Archtop and Flattop Octave Mandolins.
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Peghead Nation mandolin instructor plays an original composition set to a W.B. Yeats poem, with his fellow Peghead Nation and Berklee College of Music instructors.
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
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    ● Repertoire
 
 
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    ● In The Studio
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