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Learn the basics of music theory as it relates to four-string instruments tuned in fifths. Chad’s practical approach will deepen your knowledge of chords, scales, and arpeggios, and help you integrate them into your playing.
Chad Manning is a Bay Area bluegrass, old-time, and swing fiddler who currently plays with the David Grisman Sextet, the David Grisman Bluegrass Experience, and Laurie Lewis and the Right Hands.
Over the years he has toured with many bluegrass greats such as J.D. Crowe, Curly Seckler, Alan Munde, and Tony Trischka, to name a few. Chad also finds great joy in teaching and working with all levels of adult fiddle students. He and his wife, Catherine, teach more than a hundred students at their studio in Berkeley, California.
Learn how major chord arpeggios are constructed and how to find them on the mandolin/fiddle fingerboard. With Notation and Tablature
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Major Scales, Part 1: Finger Patterns Get started in your exploration of music theory for mandolin and fiddle by learning major scales in different positions in the “bluegrass keys” of G, A, Bb, B, C, D, E, and F. Chad starts by defining a major scale and then shows you how the major scale is symmetrical on an instrument tuned in fifths. He also shows you the different finger patterns for major scales, with scales starting on each finger: index, middle, ring, and pinky.
Major Scales, Part 2: Circle of Fifths and Two-Octave Scales In this lesson, Chad shows you the circle of fifths and how to use it to determine how many sharps or flats a given key has. Then he walks you through two-octave scales in the “bluegrass keys” of G, A, Bb, B, C, D, E, and F, and talks about trying to see the entire scale on the fingerboard. He also shows you how the open-string pattern is always followed by the third-finger pattern, the first-finger pattern is always followed by the fourth-finger pattern or the open-string pattern, the second-finger pattern is followed by the first-finger pattern, the third-finger pattern is followed by the second-finger pattern, and the fourth-finger pattern is followed by the third-finger pattern.
CHORDS AND ARPEGGIOS
Major Chord Arpeggios Learn how major chord arpeggios are constructed and how to find them on the mandolin/fiddle fingerboard. Chad explains that major chords are constructed of roots, thirds, and fifths: the first, third, and fifth notes in a major scale. Then he shows you different finger patterns for major arpeggios in bluegrass keys, giving you handy ways to visualize each pattern and advice about practicing them in different ways.
Minor and Seventh Chord Arpeggios, Part 1 Learn how to construct minor chords and various kinds of seventh chords, including major seventh, dominant seventh, minor seventh, and minor/major seventh. Chad shows you the arpeggios for these chords in open position, their symmetrical finger patterns, and how to visualize them on the fingerboard.
Minor and Seventh Chord Arpeggios, Part 2: Barre Chords In this lesson you’ll learn to find all the chord arpeggios you learned in Part 1 as barre chords. Chad shows you how to finger a barre chord, which makes visualizing chords on the mandolin or fiddle easy, because the lowest two strings are the root and fifth, while the major or minor third is played on the A string and the minor or flatted seventh, or root, is played on the E string.