Scale and Arpeggio Review, Part 2

from: Theory for Mandolin and Fiddle with Chad Manning

This lesson is part of the course Theory for Mandolin and Fiddle with Chad Manning.

Get immediate access to this lesson and all of the lessons in this course when you subscribe.

Start Course
Browse Courses

About This Course

Learn the basics of music theory as it relates to four-string instruments tuned in fifths. Chad’s practical approach will deepen your knowledge of chords, scales, and arpeggios, and help you integrate them into your playing.

Try a Sample Lesson

Major Chord Arpeggios

Learn how major chord arpeggios are constructed and how to find them on the mandolin/fiddle fingerboard. Chad explains that major chords are constructed of roots, thirds, and fifths: the first, third, and fifth notes in a major scale. Then he shows you different finger patterns for major arpeggios in bluegrass keys, giving you handy ways to visualize each pattern and advice about practicing them in different ways.

Try a sample lesson

The Theory for Mandolin and Fiddle Subscription Includes:

In-depth instruction on chord and scale theory for instruments tuned in fifths
More than 40 practical, hands-on theory lessons designed specifically for fiddlers and mandolinists
Notation and mandolin tablature for every lesson
Lessons on improvising and soloing using different tonalities and arpeggios
High-quality video with multiple camera angles so you can see closeups of both hands in action.
Play-Along Tracks so you can practice what you’ve learned

$25/Month For One Course

Additional courses only $15/month each! • Save 20% with an annual subscription

Start Course

Get started now!
Use promo code ChadLand at checkout

and get your first month free or $20 off an annual subscription.

Scale and Arpeggio Review, Part 2

Chad picks up where he left off in the last lesson, reviewing a variety of scales (major, Mixolydian, Dorian, melodic minor) and their corresponding chord arpeggios (major seven, dominant seven, minor seven, minor [major seven]). He starts with G, adding a nine to the dominant seven and minor seven arpeggios this time, and then does the same in the keys of C, F, and Bb.

Scale and Arpeggio Review (Available to subscribers)

Previous Lesson

← Scale and Arpeggio Review

Next Lesson

Two-Note Chord Comping →

Previous Lesson

← Scale and Arpeggio Review

Next Lesson

Two-Note Chord Comping →

Previous Lesson

← Scale and Arpeggio Review

Next Lesson