Slidy Business

from: Monroe-Style Mandolin with Mike Compton

This lesson is part of the course Monroe-Style Mandolin with Mike Compton.

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About This Course

Learn traditional bluegrass-style mandolin as exemplified by the father of bluegrass, Bill Monroe, with original transcribed solos and tips on reproducing Monroe’s sound, rhythm, and feel.

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TENNESSEE BLUES

Learn the “fancy high part” (all the way up the 15th fret) of “Tennessee Blues” in this video. Mike takes it apart phrase by phrase, showing you the best way to finger the high notes. You’ll also learn the shorter A section, which features sliding double stops up the neck, and some variations on the regular A section. (For full transcription, see Part 1.)

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Slidy Business

The sliding double stops that are so prevalent in Monroe-style mandolin, and which Mike Compton is a master of, are an effort to play the in-between notes that the frets take away. Mike talks about Bill Monroe’s development of the sliding double stop style, and plays the tune (Monroe’s “Lucky Lady”) that made him want to learn the style.

Previous Lesson

← Traditional Bluegrass Tremolo

Next Lesson

Tennessee Blues, Part 1 →

Previous Lesson

← Traditional Bluegrass Tremolo

Next Lesson

Tennessee Blues, Part 1 →

Previous Lesson

← Traditional Bluegrass Tremolo

Next Lesson

Tennessee Blues, Part 1 →