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This lesson is part of the course Monroe-Style Mandolin with Mike Compton.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 
Learn traditional bluegrass-style mandolin as exemplified by the father of bluegrass, Bill Monroe, with original transcribed solos and tips on reproducing Monroe’s sound, rhythm, and feel.
 
 
Try a Sample Lesson
TENNESSEE BLUES
 
Learn the “fancy high part” (all the way up the 15th fret) of “Tennessee Blues” in this video. Mike takes it apart phrase by phrase, showing you the best way to finger the high notes. You’ll also learn the shorter A section, which features sliding double stops up the neck, and some variations on the regular A section. (For full transcription, see Part 1.)
 
 
 
The Monroe-Style Mandolin Subscription Includes:
  • More than 110 Monroe-style bluegrass mandolin video lessons
  • Bill Monroe solos to play on more than 100 songs and instrumentals
  • New lessons added every month
  • Mike Compton’s exact Bill Monroe transcriptions in notation and tab
  • Advice on getting deep inside Monroe’s style and technique
  • High-quality video with multiple camera angles so you can see close-ups of both hands in action
  • Play-Along videos so you can practice what you’ve learned
 
 
$20/Month For One Course
 
Additional courses only $10/month each!   •   Save 20% with an annual subscription
 
 
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Use promo code MikeCLand at checkout
and get your first month free or $20 off an annual subscription.
 
 
ROCKY ROAD BLUES  
 
ROCKY ROAD BLUES  
 
Rocky Road Blues
Rocky Road Blues
 
Bill Monroe’s “Rocky Road Blues” has more of a western swing feel than the typical bluegrass offbeat chop feel. Mike plays “Rocky Road Blues” through a few times and then explains the swing feel you should keep in mind as you’re learning it. “Rocky Road Blues” is played with all downstrokes. There are no upstrokes at all. Mike talks about the importance of staying relaxed and not traveling too far with each pick stroke, because otherwise it will be difficult to get back to the next downstroke. There are also lots of slurs and hammers in “Rocky Road Blues.” Mike takes the solo apart slowly, phrase by phrase, and gives you a chance to play each phrase along with him, finishing by playing the whole solo through at a slow tempo.   

  "Rocky Road Blues" (Available to subscribers)
 
 
 

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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
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© Copyright 2024 PegheadNation.com