I Was Left on the Street

from: Monroe-Style Mandolin with Mike Compton

This lesson is part of the course Monroe-Style Mandolin with Mike Compton.

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Learn traditional bluegrass-style mandolin as exemplified by the father of bluegrass, Bill Monroe, with original transcribed solos and tips on reproducing Monroe’s sound, rhythm, and feel.

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TENNESSEE BLUES

Learn the “fancy high part” (all the way up the 15th fret) of “Tennessee Blues” in this video. Mike takes it apart phrase by phrase, showing you the best way to finger the high notes. You’ll also learn the shorter A section, which features sliding double stops up the neck, and some variations on the regular A section. (For full transcription, see Part 1.)

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I Was Left on the Street

“I Was Left on the Street” Play-Along Track

I Was Left on the Street

“I Was Left on the Street” is another fine duo by Bill and Frank Buchanan recorded in April, 1962, in the key of G. Bill’s solo, played primarily with downstrokes, consists of just a classic blues intro and a half solo, with two occurrences of the updated ending that Bill used so often throughout “Blue Grass Twist.” It includes flatted and natural note combinations, arpeggiated lines, and a couple of short chromatic passages.

“I Was Left on the Street” Notation/Tab (Available to subscribers)

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