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Irish Music on the Mandolin


This lesson is part of the course Irish Mandolin with Marla Fibish.
Get immediate access to this lesson and all of the lessons in this course when you subscribe.
 

About This Course

 
Learn traditional Irish mandolin, with an emphasis on playing the dance music of Ireland with an authentic Irish feel and rhythm.
 
 
Try a Sample Lesson
Introduction to Reels
 

In this lesson, you’ll learn the reel “Anything for John Joe.” It’s what is often called a “half reel” or “single reel,” meaning there are only 16 measures in the whole tune. Marla starts by playing “Anything for John Joe” through a couple times and then takes it apart slowly, phrase by phrase.

 
 
 
The Irish Mandolin Subscription Includes:
  • 89 in-depth mandolin video lessons
  • Notation and tab for every tune
  • Technical and melodic exercises for both hands
  • 81 complete traditional Irish tunes: reels, jigs, slip jigs, slides, waltzes, and polkas
  • Extensive accompaniment lessons for all common keys used in Irish music
  • High-quality video with multiple camera angles so you can see closeups of both hands in action
  • Play-Along Tracks so you can practice what you’ve learned
 
 
$20/Month For One Course
 
Additional courses only $10/month each!   •   Save 20% with an annual subscription
 
 
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Irish Music on the Mandolin  
 
Irish Music on the Mandolin  
 
Irish Music on the Mandolin
Irish Music on the Mandolin
 
Marla talks about the role of the mandolin in Irish music, its evolution as a traditional Irish instrument, and her own approach to playing Irish music on the mandolin. Mandolin is a relatively new instrument in Irish music, appearing during the 1960s folk revival and played by great musicians like Mick Moloney and Andy Irvine, with bands like Planxty and the Johnstons, and it has grown since then. Irish dance music has primarily developed on instruments that produce a sustained tone, such as the fiddle, Uilleann pipes, flute, etc., as opposed to instruments like the mandolin with more of an “attack and decay” approach to creating sound. Marla explains that, as plectrum players, mandolinists face a unique challenge to figure out how to get the same feel as instruments that produce a sustained tone. And she talks about creating a different rhythmic feel with the picking hand for each kind of dance rhythm, and the importance of listening to a lot of music to understand the feel of the music.

 
 
 

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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
    ● Recordings
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    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
    ● New Products
    ● Inside Look
    ● Performances
    ● Partner Pages
 
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© Copyright 2024 PegheadNation.com