A Fig for a Kiss, Part 2

from: Irish Flatpicking Guitar with Flynn Cohen

This lesson is part of the course Irish Flatpicking Guitar with Flynn Cohen.

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About This Course

Learn to play traditional Irish dance tunes such as reels, jigs, and hornpipes on the guitar in the style of Paul Brady, John Doyle, Arty McGlynn, and others. With technique lessons on jig picking, triplets, and other techniques derived from traditional Irish tenor banjo playing.

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Tuamgraney Castle

The B part of “Tuamgraney Castle” starts with a slide up to third position. Flynn walks you through the second part of “Tuamgraney Castle” in this video.

Try a sample lesson

The Irish Flatpicking Guitar Subscription Includes:

Detailed instruction on playing Irish dance tunes in a traditional style, with advice on ornamentation, picking, and phrasing
A variety of tunes, including reels, jigs, slip jigs, hornpipes and O’Carolan tunes, with Irish-style ornamentation
New lessons added every month
High-quality video with multiple camera angles so you can see close-ups of both hands in action
Detailed notation and tablature for each lesson
Play-Along Track videos and audio downloads of Flynn playing the melodies so you can play along
Rhythm Play-Along Track videos and audio downloads of Flynn playing rhythm guitar in an Irish backup style

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A Fig for a Kiss

A Fig for a Kiss, Part 1

A Fig for a Kiss, Part 2

A Fig for a Kiss, Part 3: Melody Play-Along Track

A Fig for a Kiss, Part 4: Rhythm Play-Along Track

A Fig for a Kiss, Part 2

The B part of “A Fig for a Kiss” has a few ornaments: cuts and picked triplets. Flynn walks you through the B part of “A Fig for a Kiss” in this video.

Previous Lesson

← A Fig for a Kiss, Part 1

Next Lesson

A Fig for a Kiss, Part 3: Melody Play-Along Track →

Previous Lesson

← A Fig for a Kiss, Part 1

Next Lesson

A Fig for a Kiss, Part 3: Melody Play-Along Track →

Previous Lesson

← A Fig for a Kiss, Part 1

Next Lesson

A Fig for a Kiss, Part 3: Melody Play-Along Track →

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A Fig for a Kiss, Part 2

About This Course

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