Sponsored By
 
 
Improvising for Fiddlers and Violinists
with Alisa Rose
Live Workshop
Live Workshop
Live Workshop
 
 
About This Workshop
 
Learn to improvise and connect to your own creative impulses through musical games, simple exercises, and fiddle tunes. You’ll explore improvisation fundamentals of rhythm and pitch, learn how to create and vary melodies, use small building blocks or motifs to build a solo, practice scales and arpeggios, and much more.
 
 
Meet the Instructor
Alisa Rose
 
 
Grammy-nominated violinist and composer Alisa Rose is a modern musician who easily navigates between many musical styles. With roots in American fiddle traditions as well as classical music, she attracts attention for her expressive lyrical voice on the violin. Her stylistic fluidity gives her the ability to create unique and genuine music which is free from the constraints of genre. Alisa has appeared with a wide range of artists, including the Real Vocal String Quartet, 2008 Rockygrass winners 49 Special, and Grammy-nominated Quartet San Francisco. A dedicated educator, Alisa teaches privately as well as at the San Francisco Conservatory of Music.
 
 
 
Improvising for Fiddlers and Violinists Source Material

Check out these songs featured in the Improvising for Fiddlers and Violinists course.


The Improvising for Fiddlers and Violinists Workshop Includes:
  • Eight one-hour live Zoom sessions, held every other Thursday, from 5 pm to 6 pm Pacific Time starting February 24, 2022
  • Eight one-hour live Zoom sessions that lay out Alisa’s approach to thinking about and practicing improvising
  • Advice and exercises that will help you develop a stronger connection to your own creative ideas, including how to come up with more ideas rhythmically and melodically, how to practice over specific chords, and how to create variations on melodies
  • Arpeggio, scale, and rhythm exercises that will help you create more options as an improviser
  • High-quality video recordings of each session so you can review what you've learned and revisit them after the workshop has concluded
  • Notation and tablature for each session
 
 
Sign Up for Live Workshop
 
Workshop fee of $200, participate live or view recordings on your own schedule.
 
 
 

In this eight-session workshop, you’ll learn to improvise and connect to your own creative impulses through musical games, simple exercises, and fiddle tunes. You’ll explore improvisation fundamentals of rhythm and pitch as well as learn how to create and vary melodies, use small building blocks or motifs to build a solo, practice scales and arpeggios, and much more. These exercises can be useful for a musician of any level as they work on fundamental skills of listening deeply, understanding structure and form, and relating to pulse and pitch with awareness. 

 

Alisa’s approach to improvising and practicing improvising was developed from years as a professional musician in a variety of musical contexts, including improvising on fiddle tunes with Scroggins and Rose, improvising for contemporary silent film scores with the Clubfoot Orchestra, improvising with the Real Vocal String Quartet, and as an Improvisation Ensemble instructor at the San Francisco Conservatory of Music. Alisa’s workshop is designed for intermediate-to-advanced violinists and fiddlers but would be worthwhile for players of other instruments as well.

 

Alisa has this to say about her workshop: 

 

“My path into improvisation was primarily through playful exploring and following my ears. In this workshop we’ll play games that explore isolated fundamental aspects of improvising. I encourage you to approach these exercises, or as I call them games, with a sense of play. Please know you can do no wrong. Play all the weird notes or sounds you want to—it’s part of figuring out what you want to play and freeing yourself from the eternally judging internal critic we musicians tend to have inside at all times. It can be overwhelming to be told to improvise or compose with total freedom, so these games will start with improvising with extreme limits, using only one note, or all notes and no rhythm, and we will build skills from there.” 

 
 
Improvising for Fiddlers and Violinists Workshop
 
Welcome to Improvising for Fiddlers and Violinists
 

In this eight-session workshop, you’ll learn to improvise and connect to your own creative impulses through musical games, simple exercises, and fiddle tunes. You’ll explore improvisation fundamentals of rhythm and pitch as well as learn how to create and vary melodies, use small building blocks or motifs to build a solo, practice scales and arpeggios, and much more.

 
SESSION 1: Improvising with Rhythm Part 1
 

This week Alisa focuses on improvising with one of the fundamental building blocks of music—rhythm. She says, “We will improvise solos with only one note so we can focus on rhythm exclusively. To create structure, phrasing, and interest in solos we’ll explore subdivisions, on and offbeats, space, accents, and bowing patterns. We’ll then apply these concepts to “Stay a Little Longer.”

 
SESSION 2: Pitch
 

This week Alisa will focus on another essential element of music—pitch. She says, “Without the pressure of playing in time, we’ll feel how notes relate to a drone (or held pitch) and each other. We’ll explore how different notes have varying amounts of dissonance/consonance or tension/release and how to use that to shape a melodic idea. Using the magical circle of fifths, we’ll play in every key. Then we’ll apply these concepts to “Ida Red,” “Coleman’s March,” and the first part of  “Cheyenne.”

 
SESSION 3: Groove Loops
 

In the third session of Improvising for Fiddlers and Violinists, Alisa focuses on improvising with pitch over repeated constant rhythms or groove loops. She says “We’ll find rad rhythms in parts of tunes and words. Over these rhythms, we’ll look at how to choose notes to create compelling shapes and melodies. Then we’ll apply these concepts to improvise on ’Ida Red’ and ‘Cacklin’ Hen.’”

 
SESSION 4: Melodic Variations on “Goodbye Liza Jane”
 

In this session you’ll learn how to improvise over the popular fiddle tune “Goodbye Liza Jane.” Alisa will also show you how to decorate the melody using register shifts, double stops, bowing patterns, neighbor notes, melodic fragments, and other ways to create variations that are still recognizable as the melody.

 

 
SESSION 5: Fun with Patterns and Scales
 

This week you’ll learn to improvise with scales and arpeggios!  You’ll look at how to practice patterns on scales and then incorporate the patterns into “Blackberry Blossom” and “Goodbye Liza Jane.”

 
SESSION 6: Repeat, Repeat (Motives and Structure)
 

Motives are short distinct musical building blocks within a melody. This week Alisa will show you how to create structure in your improvisations by repeating and altering melodic motives. You will construct interesting solos on “Wheel Hoss” and “Dance Around Molly” by playing their motives in different ways, including slower, faster, higher, lower, longer, shorter, and on different places in the beat.

 
SESSION 7 (MAY 19): Improvising in Context
 

Whether you are backing up a singer, soloing with a guitar player, or trading roles within a full band, a large part of what makes improvising so dynamic and fun is that it is usually in response to others. This week you’’ll look at how to listen and respond to what’s around you as you improvise fills, backup, and a solo on a bluegrass song “Carolina Mountain Home” with guest artist Tristan Scroggins. Tristan and Alisa will also demonstrate how to pass ideas back and forth on the fiddle tune “Liberty.” 

 
 
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