After his interview with Thomas Goldsmith, Bill turns to Earl’s banjo-and-fiddle duet accompaniment style, analyzing “Grey Eagle” from a 1950s radio broadcast with fiddler Benny Martin and “Fiddle and Banjo (Stoney Point)” with fiddler Paul Warren, from Flatt and Scruggs’s December 1962 Carnegie Hall concert. Bill also takes a look at “Across the Blue Ridge Mountains” (also known as “My Home’s Across the Blue Ridge Mountains”) from Flatt and Scruggs’s 1963 Vanderbilt University concert in Nashville, discussing Earl’s solo and analyzing the different backup approaches Earl uses throughout the song.
Welcome to Earl Scruggs: A Player's Guide |
Welcome to Earl Scruggs: A Player’s Guide |
Earl Scruggs is without question the most influential five-string banjo player in the history of the instrument and a thorough understanding of his style is essential to playing bluegrass banjo well. Earl Scruggs: A Player’s Guide picks up where Earl’s renowned instruction book Earl Scruggs and the Five-String Banjo leaves off, teaching tunes and techniques that will help each student become a more complete Scruggs-style player. In the above video, Bill talks about what he’ll be covering in his workshop.