Goodbye Liza Jane, Part 2

from: Advanced Flatpicking Guitar with Scott Nygaard

This lesson is part of the course Advanced Flatpicking Guitar with Scott Nygaard.

Get immediate access to this lesson and all of the lessons in this course when you subscribe.

Start Course
Browse Courses

About This Course

Learn the essential techniques of bluegrass flatpicking guitar through classic and lesser-known songs and tunes, from bluegrass blues to old-time fiddle tunes to country swing sounds.

Try a Sample Lesson

Home Sweet Home

In Part 2 of the lesson on crosspicking, you'll learn the first part of Scott's arrangement of "Home Sweet Home," which mostly uses the traditional 3-3-2 roll. Since crosspicking is usually used to play song melodies, it's a good idea to learn the melody of a song before tackling a crosspicking arrangement, so Scott starts by making sure you know the melody to "Home Sweet Home" and then takes the arrangement apart phrase by phrase (or roll by roll).

Try a sample lesson

The Advanced Flatpicking Guitar Subscription Includes:

84 in-depth flatpicking guitar video lessons
Detailed tab/notation for all lessons
In-depth lessons on the styles of flatpicking masters Clarence White, Tony Rice, Norman Blake, and more with accurate solo transcriptions
67 complete tunes and/or solos
Lessons on learning the fingerboard geared toward bluegrass and roots musicians
High-quality video with multiple camera angles so you can see closeups of both hands in action
Play-along Tracks so you can practice what you’ve learned

$20/Month For One Course

Additional courses only $10/month each! • Save 20% with an annual subscription

Start Course

Get started now!
Use promo code ScottLand at checkout

and get your first month free or $20 off an annual subscription.

Goodbye Liza Jane

Goodbye Liza Jane, Part 1

Goodbye Liza Jane, Part 2

“Goodbye Liza Jane” Play-Along Track

Goodbye Liza Jane, Part 2

You’ll learn the B parts of Scott’s arrangement of “Goodbye Liza Jane” in this video. The first B includes an unusual crosspicked version of the second phrase, and the second B part starts in the lower octave and ends with the melody two octaves higher, followed by a long three bar ending lick that trails off into the next solo.

"Goodbye Liza Jane" (Available to subscribers)

Previous Lesson

← Goodbye Liza Jane, Part 1

Next Lesson

“Goodbye Liza Jane” Play-Along Track →

Previous Lesson

← Goodbye Liza Jane, Part 1

Next Lesson

“Goodbye Liza Jane” Play-Along Track →

Previous Lesson

← Goodbye Liza Jane, Part 1

Next Lesson