Tony McManus, Part 5: Tony’s Manzer Sitar-Guitar

from: Advanced Fingerstyle Workshop with Teja Gerken

This lesson is part of the course Advanced Fingerstyle Workshop with Teja Gerken.

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Meet 15 of the best players in the international fingerstyle guitar community, as they demonstrate their techniques, playing styles, and signature tunes.

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ED GERHARD

In this lesson, Ed Gerhard teaches his popular fingerstyle arrangement of the traditional tune “The Water is Wide.” Gerhard used dropped-D tuning and a capo at the third fret. Because he tunes his guitar down a half-step from standard pitch, this results in his performance sounding in the key of E. If you prefer, you can leave your guitar in standard dropped-D tuning and place the capo at the second fret instead. Gerhard stresses the importance of supporting the tune’s melody and gives pointers for effectively building an arrangement in a dynamic fashion. virtuerecords.com

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TONY McMANUS

Tony McManus, Part 1: “Shallow Brown”

Tony McManus, Part 2: Tony Teaches “Shallow Brown”

Tony McManus, Part 3: Triplets and Ornaments

Tony McManus, Part 4: Tony’s PRS Private Stock Signature Model Guitar

Tony McManus, Part 5: Tony’s Manzer Sitar-Guitar

Tony McManus has a lot of guitars, including this custom Linda Manzer Sitar-Guitar (manzer.com). Manzer first developed the unusual instrument for jazz guitarist Pat Metheny, for whom she has built dozens of guitars, including the famous 42-string Pikasso guitar. The Sitar-Guitar gets its sitar-like buzzing tone from a unique bridge made of movable flat bone blocks, which each string rests on and vibrates against. Tony demonstrates this new unique guitar with Jacky Molard’s piece “Doina,” recorded on Tony’s Maker’s Mark album. Check out more of Tony’s music and his other guitars at tonymcmanus.com.

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Richard Smith, Part 1 →

Previous Lesson

← Tony McManus, Part 4: Tony’s PRS Private Stock Signature Model Guitar

Next Lesson

Richard Smith, Part 1 →

Previous Lesson

← Tony McManus, Part 4: Tony’s PRS Private Stock Signature Model Guitar

Next Lesson

Richard Smith, Part 1 →