Taylor 250ce-BLK DLX

An affordable and stage-worthy 12-string, dressed in black.

June 1, 2020

Taylor has been making waves with its advanced Builders Edition models, its new Grand Pacific body shape, and V-Class bracing, all of which have elevated the company’s signature sound, looks, and playability. But while the accolades surrounding these new instruments are well-deserved, it’s also great to see that Taylor is quietly refining many of its entry-level models. I recently had a chance to spend time with a new 250ce-BLK DLX that offers a new combination of features, making it a very cool new take on the company’s legendary 12-strings.

The 250ce-BLK DLX is part of the “Deluxe” models that are more dressed-up variations on Taylor’s affordable 200 series. The guitar has a traditional dreadnought body with a cutaway and it’s constructed with layered maple back and sides and a solid Lutz spruce top. It has an arched back with no bracing, and the top is reinforced with a traditional, forward-shifted X-bracing pattern. The guitar’s most distinguishing aspect is that it is almost completely black. The body, back of the neck, and peghead faceplate are finished in shiny gloss black; it has a black-on-black pickguard; hardware such as tuning machines and strap buttons are black; and even the ebony used for the fingerboard and bridge is dark black. The white binding on the body, a pearloid rosette, and small-diamond position markers are the only non-black elements other than the nut, saddle, and Taylor logo. Overall, the guitar has a simple, yet sophisticated appearance that would certainly look great onstage. In a further nod to stage-worthiness, the 250ce-BLK DLX includes Taylor’s Expression System 2 electronics—the same system used on Taylor’s more expensive guitars.

Taking the guitar from its deluxe hardshell case (another upgrade from standard 200-series models, which come with a gig bag), I was happy to find the great feel and playability that have made 12-strings a major part of Taylor’s success story. The guitar’s relatively shallow neck shape and 1⅞-inch width at the nut will be familiar to anyone who has ever played a Taylor 12-string. The guitar was set up to play incredibly easily, to the point where I can think of plenty of six-strings that are harder on the fingers than the 250ce-BLK DLX. The guitar has a full and balanced strumming voice, and it’s tonal balance makes it fun to play up the neck. Plugged into a Fishman Loudbox Mini amp, the instrument demonstrated that it would not only look great onstage, it will also be right at home sonically, delivering natural 12-string jangle with none of the string-balance issues that can be tricky with amplified 12-strings.

Overall, the 250ce-BLK DLX is a great example of the value that Taylor is able to offer with instruments near the entry-level in its catalog. The guitar delivers great tone and looks, and pricing aside, it may be all the 12-string that many performers need.