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D Minor Tuning and “Celia Connellan,” Part 1: Intro to D Minor

This lesson is part of the course Alternate Tunings Fingerstyle Guitar with Doug Young.
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Alternate tunings can create beautiful guitar sounds that are impossible in standard tuning, and make some things easier to play. You’ll learn to play fingerstyle melodies in a variety of popular alternate tunings, including favorites like dropped D, DADGAD, and open G, as well as more unusual tunings.
 
 
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The second part of “Blind Mary” includes a Bm7 chord and a Gmaj7/B chord. Doug walks you through the B part of “Blind Mary” phrase by phrase in this video.

 
 
 
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D Minor Tuning and “Celia Connellan”  
 
D Minor Tuning and “Celia Connellan”  
 
D Minor Tuning and “Celia Connellan,” Part 1: Intro to D Minor
D Minor Tuning and “Celia Connellan,” Part 1: Intro to D Minor
 

Like the relationship between G minor and open-G (major) tunings, D minor tuning has just one note different from open-D tuning. The F# in open-D tuning is tuned down to F, so D minor tuning is DADFAD. You’ll also notice that this is just one note different from DADGAD. The tune Doug uses to demonstrate D minor tuning in this lesson is an Irish harp tune, “Celia Connellan,” which comes from Thomas Connellan, a contemporary of legendary Irish harpist Turlough O’Carolan. In this video, Doug shows you the tuning, how to modify what you know from open-D tuning to play in D minor, and also how to shift what you learned for G minor over one string to sound in D minor. He also shows you how to play some interesting chords in D minor, as well as how to play major chords in D minor tuning.


  D Minor Tuning and “Celia Connellan” Notation/Tab (Available to subscribers)
 
 
 
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