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Turnarounds, Week One

This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
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This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
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TURNAROUNDS   
 
TURNAROUNDS   
 
Turnarounds, Week One
Turnarounds, Week One
 
Turnarounds are used in many styles of music to go from a I chord to a V chord and back to a I, usually at the end of a verse or chorus. The I–VI7–ii7–V7 turnaround common in swing, jazz, and popular music is the subject of the next series of workouts. We’ll use the transitional “cells” used in the Diatonic Chord Transitions workouts to get from the I to VI7 (in this case, C to A7) and finish the turnaround with ii7–V7 (Dm7–G7) phrases also used in the Transitions workouts. Example 1 starts with an upward C phrase that moves upward into an upward A7 phrase, with three turnarounds starting on each note of the C chord. Example 2 continues in the same fashion, but with the turnaround moving downward from the C phrase to the A7 phrase. Scott explains and walks you through each turnaround slowly, showing you how in some cases he’s modified the turnarounds when there’s a repeated note to make the line a little more interesting.

  Turnarounds, Week 1 (Available to subscribers)
 
 
 
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    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Events
    ● Breaking News
 
 
    ● In The Studio
    ● Live Onstage
    ● Backroom
 
 
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