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Pentatonics, Week Three

This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
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This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
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PENTATONICS   
 
PENTATONICS   
 
Pentatonics, Week Three
Pentatonics, Week Three
 
Pentatonic scales are often thought of by guitarists as easy lead fall-back scales for noodlers. But the pentatonic scale has some interesting qualities that you’ll explore in these workouts, primarily through melodic patterns. You’ll also learn to look at the pentatonic scale as having five degrees, 1, 2, 3, 4, 5, not as being either the 1, 2, 3, 5, and 6 of the major scale (as in the major pentatonic scale), or the 1, b3, 4, 5, b7 (as in the minor pentatonic scale). You’ll also look at using different pentatonic scales to match the chord you’re playing. So instead of just using the C major pentatonic to noodle around in C regardless of the chord being played, you can play, for example, the F major pentatonic scale over an F chord, an A minor pentatonic scale over an Am chord, etc.

  Pentatonics, Week Three (Available to subscribers)
 
 
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
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