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Dorian Patterns, Week One

This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
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This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
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DORIAN PATTERNS IN CLOSED POSITION   
 
DORIAN PATTERNS IN CLOSED POSITION   
 
Dorian Patterns, Week One
Dorian Patterns, Week One
 
The Dorian scale, as you may know, is the major scale starting on the second step of the scale. So, if you know the major scale, you know the Dorian scale. But there are reasons to practice the Dorian scale in ways that accent the strong notes of the scale: root, third, fifth, and (sometimes), seventh. The Dorian scale can be used for playing over the ii chord in a key (Am in the key of G, for example), and ii7–V7 progressions abound in jazz standards. You can also use the Dorian scale to play over a dominant chord a fourth above the root of the Dorian scale. In this next series of workouts you’ll play some closed-position Dorian scale patterns that emphasize the root, third, fifth, and seventh of the scale (which, of course, correspond to the root, third, fifth, and seventh of a ii7 chord). This week’s workout is a comprehensive scale exercise that gives you the A Dorian scale in five positions on the neck, so you can get a sense of how the Dorian scale lays out on the entire neck. Scott explains how to use this to find Dorian scale positions in any key and gives you a few examples of where you can find ii chords in popular songs (“Honeysuckle Rose,” “I Shall Be Released,” etc.)

  Dorian Patterns: Week One (Available to subscribers)
 
 
 
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    ● For Beginners
 
 
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    ● Repertoire
 
 
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