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Diatonic Scale Positions, Week Three

This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
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This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
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DIATONIC SCALE POSITIONS   
 
DIATONIC SCALE POSITIONS   
 
Diatonic Scale Positions, Week Three
Diatonic Scale Positions, Week Three
 
Week Three’s workout moves up to the third step of the scale, the B note, since we’re in the key of G. This puts us in a position with the index finger at the seventh fret of the high E string and the ring finger at the ninth fret of the D string. You can think of this position as being centered either around a Bm chord or a G major chord in second inversion. This is a very handy position because you don’t need to move away from the anchor position to get all the major scale notes; you can play all the scale tones within a four-fret area. Example 1 is a simple G major scale pattern, and Example 2 outlines the chord progression Am–D–G–C–D–Em–Bm–Am.

  Diatonic Scale Positions, Week Three (Available to subscribers)
 
 
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Breaking News
 
 
    ● In The Studio
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