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Diatonic Scale Positions, Week Seven

This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
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This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
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DIATONIC SCALE POSITIONS   
 
DIATONIC SCALE POSITIONS   
 
Diatonic Scale Positions, Week Seven
Diatonic Scale Positions, Week Seven
 
If you have a cutaway or an electric guitar, you can move upward to the seventh position at the 14th fret, but this position is also available at the bottom of the neck, anchored around the F# at the second fret of the first string (index finger) and the F# at the fourth fret of the fourth string (ring finger). It can be useful to think of this as being centered around a V (D) chord in first inversion. You’ll also notice that it’s very close to the root position we started with in Week One. Once again, Example 1 is a major scale line. Notice that you can get the C note either at the fifth fret of the third string or the first fret of the second string. Example 2 outlines the (by now familiar) G–C–D–Em–Bm–Am–D–G chord progression.

  Diatonic Scale Positions, Week Seven (Available to subscribers)
 
 
 
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    ● For Beginners
 
 
    ● Vintage Vault
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    ● Repertoire
 
 
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