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Chord Positions and Scales, Week Four 

This lesson is part of the course Weekly Guitar Workout with Scott Nygaard.
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This series of exercises will help guitarists learn the fingerboard and expand their knowledge of chord and scale theory, with handy tips on picking and fretting techniques that will improve their sound. Includes 100 workouts.
 
 
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FOUR-NOTE ARPEGGIOS 
 
This series of workouts consists of four-note arpeggios based on the harmonized major scale. You'll move through a series of arpeggios starting on each note of the major scale, in this case all in the key of G. So, for example, the first arpeggio starts on G, moves up a third to B, up another third to D, and up another third to F#, creating a Gmaj7 arpeggio in the process. The second arpeggio starts on A, moves up a third to C, up another third to E, and up another third to G, for an Am7 arpeggio. Notice that all the notes are in the key of G, so you'll get the four-note arpeggios that correspond to the harmonized major scale: Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, and F#m7b5. Once you get to the top string, you'll move downward in thirds once again, but this time the arpeggios start on the seventh of the chord formed by the arpeggio. So, for example, the arpeggio starting on G moves down a third to E, down another third to C, and down another third to A, giving you an Am7 arpeggio that begins on the seventh (G) and moves downward to the root (A).
 
 
 
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  • Extensive chord and scale theory lessons that help you apply what you learn to your music
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COMBINING CHORD POSITIONS AND SCALES   
 
COMBINING CHORD POSITIONS AND SCALES   
 
Chord Positions and Scales, Week Four 
Chord Positions and Scales, Week Four 
 
The final chord in the harmonized major scale is the m7b5 chord. Examples 1 and 2 use the Bm7b5 chord, the vii7 chord in the key of C. Scott also talks about thinking of the m7b5 chord as a second-inversion dominant-nine chord. So Bm7b5 can be thought of as a G9 chord built on the third (B). Examples 3 and 4 give you a couple lines that move from Cmaj7 to Bm7b5 (G9).

  Combining Chord Positions and Scales, Week Four (Available to subscribers)
 
 
 
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    ● Courses
    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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    ● Events
    ● Breaking News
 
 
    ● In The Studio
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    ● Inside Look
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