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This lesson is part of the course Melodic Mandolin Tunes with John Reischman.
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About This Course
 
Learn great traditional and original tunes in a variety of styles—old-time, bluegrass, Latin, jazz, and more—from a modern mandolin master.
 
 
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Itzbin Reel
 
“Itzbin Reel” is one of the first tunes John wrote. It’s basically a fiddle tune in the key of A, although the form is AABA rather than the standard AABB form of most fiddle tunes, and the B section has ten measures instead of the standard eight. John starts by showing you the A major scale and a couple of scale patterns to get used to the key of A major. And then he starts taking apart each section slowly, phrase by phrase. He also talks about keeping a steady up-and-down motion with your picking hand so you stay in time even when you’re not sounding a note. This is helpful in “Itzbin Reel,” because it has a few syncopated phrases that emphasize offbeats.
 
 
 
The Melodic Mandolin Tunes Subscription Includes:
  • More than 60 melodic mandolin tunes in a variety of styles
  • Right- and left-hand technique lessons
  • High-quality video with multiple camera angles so you can see close-ups of both hands in action
  • Detailed notation and tablature for each tune
  • Play-Along videos so you can play along with John
  • Downloadable audio MP3s of each tune
 
 
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Salt Spring  
 
Salt Spring  
 
Salt Spring
Salt Spring
 

John’s tune “Salt Spring” is another one of his “banjo-like” tunes, a relatively simple melody that imitates the sound of frailing banjo. It’s in the key of A, and the melody notes are mostly played on the second and third strings. Between melody notes, John plays a drone on the open E (and sometimes open A) string, which, along with his use of hammer-ons and slides, creates a banjo-like quality. John gets you started with a short exercise in which you play melody quarter notes played with a downstroke on the A string followed by two eighth notes (down-up) on the E string. Then he starts showing you the melody to “Salt Spring” phrase by phrase, beginning with the B part, because it features that banjo-like rhythm. After showing you both parts, John suggests other songs and tunes you could try the “frailing” technique on.


  "Salt Spring" (Available to subscribers)
 
 
 
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    ● Live Workshops
    ● Instructors
    ● Sample Lessons
    ● Notation Guide
    ● For Beginners
 
 
    ● Vintage Vault
    ● New Gear
    ● Fine Lutherie
 
 
    ● Workshops
    ● Advice
    ● Repertoire
 
 
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