Dominant Sevenths, Part 2: Middle Four Strings

from: Guitar Chord Theory with Mark Goldenberg

This lesson is part of the course Guitar Chord Theory with Mark Goldenberg.

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Learn guitar chord theory in-depth with Mark Goldenberg, a respected touring and session guitarist and a student of the legendary Ted Greene. You'll explore basic major and minor chord inversions all over the neck and on all string sets, as well as wide-triad voicings; harmonized major scales; major, minor, and dominant seventh-chord voicings; and more.

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Top Three Strings

In this lesson, in addition to learning the triad shapes for the key of A and E, Mark talks about learning to hear the separate voices within the chord, instead of just thinking of them as block shapes.

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Dominant Sevenths

Dominant Sevenths, Part 1: Top Four Strings

Dominant Sevenths, Part 2: Middle Four Strings

Dominant Sevenths, Part 3: Bottom Four Strings

Dominant Sevenths, Part 2: Middle Four Strings

This lesson continues Mark’s look at dominant seventh chords in the drop two voicing. He starts with G7, showing you all four inversions on the middle four strings. Then he moves on to D7 and A7, finishing with an exercise that combines A7 voicings on the middle strings with A7 voicings on the top four strings.

Dominant Seventh Chords, Middle Strings (Available to subscribers)

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← Dominant Sevenths, Part 1: Top Four Strings

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Dominant Sevenths, Part 3: Bottom Four Strings →

Previous Lesson

← Dominant Sevenths, Part 1: Top Four Strings

Next Lesson

Dominant Sevenths, Part 3: Bottom Four Strings →

Previous Lesson

← Dominant Sevenths, Part 1: Top Four Strings

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