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Diminished Triads, Part 1

This lesson is part of the course Guitar Chord Theory with Mark Goldenberg.
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Learn guitar chord theory in-depth with Mark Goldenberg, a respected touring and session guitarist and a student of the legendary Ted Greene. You'll explore basic major and minor chord inversions all over the neck and on all string sets, as well as wide-triad voicings; harmonized major scales; major, minor, and dominant seventh-chord voicings; and more.
 
 
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In this lesson, in addition to learning the triad shapes for the key of A and E, Mark talks about learning to hear the separate voices within the chord, instead of just thinking of them as block shapes.
 
 
 
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DIMINISHED TRIADS   
 
DIMINISHED TRIADS   
 
Diminished Triads, Part 1
Diminished Triads, Part 1
 
Diminished triads are, as their name implies, the smallest triad you can have: a minor third with another minor third on top of it. It’s a little bit like a minor triad, but with a darker more mysterious sound. It’s also the triad built on seventh step of the major scale. So, for example, the triad built on B in a C major scale is B diminished. Mark talks about some uses for the diminished triad—in a cycle of fourths progression, for instance, or as part of a V7 chord—and shows you the three voicings for diminished triads on the top three strings.  

  Diminished Triads, Part 1 (Available to subscribers)
 
 
 
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